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The actress creeps through the haunted surroundings of an old farm house in this real-time thriller from directors Chris Kentis and Laura Lau. Elizabeth Olsen stars in this thriller as a young woman stranded in a lake house with no contact to the outside world. Elizabeth Olsen stars in this thriller as a woman who begins to go mad after getting stranded at an eerie lake house.
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Much like Open Water, Silent House makes great use of the aforementioned quiet abode of its title, which is a massive, labyrinthine structure set on the side of a lake out in the middle of nowhere. The house is dark on the inside thanks to a lack of electricity and boarded-up windows, and it is full of ominous piles of boxes, renovation materials, and an endless supply of closets, bathrooms, doors, and other assorted nooks and crannies in which to hide (or for trouble to hide in). For the majority of Silent House, she’s on screen by herself, either wandering through the darkness with a lamp while searching for her father or running through the darkness with a flashlight trying to escape. At several points in the movie, she is hiding behind something or under something, quaking with fear and making some of the best scared faces I think I’ve ever seen.
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"Students should feel safe. Communities should feel safe, and you know…we can’t stay silent," Jean-Pierre said. "Obviously, it is a deeply painful moment. He sees that. He understands that, and he will always support and believe in free speech and debate and nondiscrimination on college campuses." White House press secretary Karine Jean-Pierre was asked by a reporter during a briefing on Wednesday what the president thinks of how the administration at Columbia University in New York City has been handling the protests. Out of safety concerns, Columbia is holding Monday's classes online instead of in person.
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If it is, it's the most amazing single take since "Russian Ark," beginning with an overhead crane shot on a lake shore and then traveling down a road and into a house and following the heroine upstairs and downstairs and into the basement. That would take one hell of a cameraman, and there are all kinds of shots where the screen goes dark and cuts could obviously be concealed. A certain technical virtuosity is the signal virtue of Silent House, a creaky haunted house that, once the big twist is revealed, makes very little sense at all. A quick and modest theatrical spin looks to be followed by solid returns in ancillary markets. The film premiered at the Sundance Film Festival in January 2011 and was subsequently purchased by Open Road Films and Universal Pictures for distribution. Silent House premiered in United States theaters on March 9, 2012.
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That is fine and dandy until Sarah’s uncle leaves, Sarah’s father gets seriously injured, and Sarah finds herself trapped in the silent house, trying desperately to escape from someone… or something… that doesn’t seem to want her to leave. One could say that the film provides the illusion of being shot in a single take; on close inspection, though, there are several spots where cuts could and no doubt do occur, notably when the camerawork becomes wildly shaky and when the image goes black. Like Open Water and innumerable other budget-challenged horror items, the new film places a limited number of characters in an isolated setting.
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In between displaying his nude selfies, Republicans professed outrage that Hunter traded on his family name — a timeless habit of the well-connected that never aroused Republicans’ ire when, say, Donald Trump’s family did it. Their obsession with Hunter was so intense that even when the president’s son was indicted on tax and gun charges by the Justice Department, Comer spun it as a cover-up. Again and again, they’d find some new piece of information, rush to the cameras to proclaim that they had located the smoking gun, then watch as their claims collapsed when the mundane truth came out. The president’s brother James Biden gave his brother $200,000 in 2018, Comer breathlessly revealed.
The dialogue is appropriately sparse, but the familiar relationship between Sarah’s father and uncle is well-handled in limited interaction. More than many previous imperiled heroines in screen history, Olsen’s Sarah keeps her wits about her for a while, not entirely freaking out when phones don’t work and she realizes she’s effectively locked in. It’s quickly evidently, however, that if someone really wanted to get at Sarah, it would be awfully easy, just as it’s plain that a cheap horror movie that is stylistically constrained from using shock cuts is going to have fewer jolts than usual. The most alarming effects Kentis and Lau come up with involve quick flashes of an old Polaroid camera that most often show nothing in otherwise dark rooms but occasionally reveal something pretty creepy. "Silent House" is another one of those Scream at the Screen movies, in which you want to shout out advice to a character.
But it turned out to be the repayment of a loan the future president gave James two months before. The fact that the check had “loan repayment” written on it might have been a clue. While speaking at Biden's Earth Day event, applauded "the power of young people shaping the country," pointing to the "peaceful, student-led protests on campuses like Columbia, Yale, Berkeley, and many others."
Still, for most of its run, it works as a suspense thriller, though I’d like for a little less shaking camera and a little less randomness towards the end of the film. Not without its flaws, Silent House is worth watching if only for the stellar performance of Elizabeth Olsen, who proves that her turn in Martha Marcy May Marlene is more than a fluke. Greeted by Uncle Peter (Eric Sheffer Stevens) at the house, where the electricity has conveniently gone out, and by a young woman who claims to have been her friend when they were young girls, Sarah hears suspicious sounds upstairs. Based on director Gustavo Hernandez‘s ultra-low-budget La Casa Muda, which was Uruguay’s submission to the Academy’s foreign-language film competition last year, Silent House reportedly has been significantly changed since its world premiere at Sundance in January 2011. According to the producers, the last 15 minutes were entirely reshot (so much for the single-take claim), the opening was tightened, dialogue was changed, and the sound was completely remixed. Matthew McConaughey's Killer Joe and Jason Bateman's Disconnect to be first films launched under new banner.
Chris Kentis and Laura Lau direct Elizabeth Olsen in this real-time thriller about a young woman descending into madness, in theaters this March. And yet, despite the best efforts of the House GOP’s worst people, the investigation did not find any corruption. That’s not to say Biden is a paragon of ethical purity; he’s done a few questionable things, like taking a position at the University of Pennsylvania after his vice presidency that involved a healthy salary and few responsibilities. That kind of sweetheart deal may be a little unseemly, but it’s neither illegal nor particularly uncommon for someone in his position. Hold us accountable and submit your rating of this article on the meter.
She has been confusing the events of her childhood with what she is doing now, likely due to dissociative identity disorder. She assaults John and Peter in her "intruder" mode while simultaneously wandering the house as a victim trying to escape. Outside, she meets Peter, who has returned, and sees a young girl on the road who disappears.
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